There's a Monster in Your Book (Who's in Your Book?)

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Tom Fletcher said, “I’m so excited to see 'There's a Monster In Your Book,' come to life on stage! The whole journey is incredibly exciting and I can’t wait to get to rehearsals to meet the puppets. Theatre is such an important way to introduce children to the arts and ‘There’s a Monster In Your Show’ is the perfect first theatre trip for pre-schoolers and their families. I’m so looking forward to seeing their reactions first-hand." Aside from her stage work, Miranda’s TV credits include Head Writer for a new TV series, Pop Paper City for Channel 5 Milkshake, which recently won a Royal Television Society South Award for ‘Best Short Form’. Born in London in 1953 of mixed heritage, Roman finally opted out of studying “Biomedical Electrical Engineering” and completed a postgraduate course at the Drama Studio London entering into the world of professional acting in 1977.

A high-energy 50-minute adventure featuring lively original music, this show is the perfect introduction to live theatre.Other Credits: Scratch (Puppeteer) in 'Bear in Woods' (5 episodes plus Storytime Adventures/Sing-A-Long) Unfortunately the following performances of ‘There’s a Monster in Your Christmas Show’ have been cancelled:

There’s a Monster in Your Show is produced on stage by Millennium Entertainment International. Tour Dates In 1980 Roman was invited to join Polka Theatre in Wimbledon as an actor and in ’81 as the associate director and has proudly been involved with the theatre for over 42 years helping to direct/produce more than 90 plays at Polka aimed for our younger audiences - both for the Main Stage and the Adventure Theatre. Over the years, Roman has worked with many leading writers: Bryony Lavery, Mike Kenny, Brendan Murray, Lynne Read Banks, Charles Way, Phillip Pullman to name a few. The style of work has varied from directing straight forward drama plays through to musicals via pure puppet shows. His productions have taken him around the world with performances in Australia, Brazil, Hong Kong, Qatar, Russia, Singapore, Spain, Turkey and USA as well as the UK With the irresistible pull of Hervé Tullet’s Press Here and the charm of The Monster at the End of This Book, this inviting and interactive read-aloud will have kids tilting, spinning, and shaking the book to get the adorable little monster out! That’s right! He’s out of the book . . . and in their room somewhere. OH-NO!! Theatre Credits include: The Wolves in The Walls (The little Angel Theatre) The Storm Whale (The Marlowe Theatre, Canterbury) The Very Hungry Caterpillar (The Ambassadors, West End) Pygmalion (No 1 UK Tour) Ariodante (Palau De Les Arts) Swiss Family Robinson ( The Core at Corby Cube) Snow White (Courtyard Theatre, Hereford) Dear Father Christmas (The Oxford Playhouse) In The Night Garden Live (The O2 & UK Tour) In his freelance capacity Roman also coaches, teaches and directs at many drama colleges, which includes ALRA, E15 and Drama Studio London, RCSSD, and is an experienced mask and puppetry director/consultant for various theatre companies.Puffin started out as a non-fiction publisher, with its first title appearing in 1940. As the most iconic and well-known children’s book brand in the UK today, we are always on the lookout for innovative ways to tell the world’s favourite stories and for brilliant new debut talent and brands that connect with today’s young readers, from newborn up to twelve years old.

I think we read it together about three or four times and then Little Guy decided to read it to Gramma. The illustrations of each action are colorful, perfectly suited and allowed him to easily tell the story as well.

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We need to end the role of industrial meat in deforestation and climate change, and challenge companies to drop forest destroyers from their supply chains and replace meat and dairy products with plant-based options that don’t cost the earth. How to help protect forests The performance at 5pm on 19th December is a SEN performance with smaller audience numbers (limited at 50% capacity) and unreserved seating, so you’re free to sit wherever you like. Noise levels will be reduced and the house lights will remain partially on throughout. You’re free to enter and exit the auditorium if you need to during the performance, and a quiet space will be available outside of the auditorium.