My Favorite Thing Is Monsters

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Much like Ferris as a young girl, Karen Reyes is obsessed with monsters. Everything in life is filtered through the idea of monsterism, from depicting herself as a little werewolf to obsessive recreations of faux horror magazines to the ways in which people in Karen’s life are translated through a monster lens. But there is a distinct difference between the romantic, positive depiction of being a monster akin to a B-movie creature and being a human monster whose true horror comes from real world violence. El dibujo es fascinante. Todo está contado por Karen y como le gustan tanto los cómics, en lugar de escribir un diario, lo dibuja. Y esa es básicamente la presentación de esta novela gráfica: está toda dibujada a boli en una libreta de anillas y líneas. Me pareció muy original y muy único. Además, Karen copia cada mes la portada de la revista de terror y erotismo que suele leer, y con ello vamos entendiendo un poco el transcurrir del tiempo dentro de la novela. Me gustó mucho ver la evolución de Karen, cómo al principio expone las cosas de forma más inocente o disfrazada y poco a poco el cómic se va volviendo más crudo a la par que ella misma va dejando atrás su niñez y entrando en la adolescencia, con su despertar sexual y una conciencia más firme de todo cuanto la rodea. Además, está convencida de que es una mujer lobo, así que se dibuja como tal en todo momento.

My Favorite Thing is Monsters - Comic Free 247 My Favorite Thing is Monsters - Comic Free 247

Whatever form they take, monsters have often fulfilled the role of both giving reason to the unexplainable and giving form to “the other” within society. But in modern civilization, the idea of the monster slowly shifted from an inhuman creature that should be feared and into an allegory that many would find relatable or even romantic. Mary Shelley’s “Frankenstein,” published in 1818, can be seen as the inflection point within this shift, giving rise to a tide of gothic horror and complex monsters whose natures were often both caused by and a reflection of society. The story goes through her neighbor Anka's life and Karen's own life. It seems like the kids in school were bullies to her. She did get one friend but I think she secretly had a crush on her. Until, her friends parents broke them up because of all the monster stuff. Still, these films often stood as allegory for real world horror of the time. Consider 1941’s “The Wolf Man,” written by Curt Siodmak.Karen sees herself as a monster, as a tiny werewolf with an underbite. The other kids at school make fun of her and the only people she likes and feels comfortable around are her brother, her mother and the enigmatic neighbor Anka. But during her investigation, Karen will get an unexpected glimpse into the world of adults and find out many things about her family and about Anka.

MY FAVORITE THING IS MONSTERS BOOK TWO coming next year from MY FAVORITE THING IS MONSTERS BOOK TWO coming next year from

Los personajes secundarios son todos para tener en cuenta. Hasta el más pequeño matiz tiene algo que ofrecer sobre cada uno de ellos, y especialmente interesante me ha parecido el hermano de Karen, tan confundido, tan chungo como entregado a lo que queda de su familia, un personaje atormentado y con una dualidad muy importante. Las amigas más cercanas de Karen, la madre, la propia Anka, que aunque fallecida está presente en toda la novela... Un elenco donde no sobra nadie y mediante el cual conocemos los diferentes perfiles que pueblan la ciudad y los barrios más sórdidos.This book was amazing, I love it! I love this so much. As much as the Girl who Left Herself in August had loved me. Far greater and much more selfless than her love for me was her complete understanding of what I wanted from her. And that's what completely resonated with her. What I wanted from her and for her, was for her to leave. She did.

My Favorite Thing is Monsters sequel has a Finally, the My Favorite Thing is Monsters sequel has a

It's definitely not a simple tale. I mean, sure, I could break it down by saying it's about a ten-year-old girl in late 60's Chicago who identifies deeply with b-movie horror monsters but also identifies with being a private eye, who knows something fishy is going on when her neighbor, a survivor of the Holocaust is found dead after having been shot in the heart, moved from the living room to the bedroom, and being ruled as a suicide. a b c d e f Tumey, Paul (February 22, 2017). "The Emil Ferris Interview: Monsters, Art and Stories (Part 2)". The Comics Journal . Retrieved January 4, 2018. Karen's narrative voice is wonderful and hilarious. Ferris toes the line perfectly between Karen's innocence and insight--she's still just a kid, but Ferris plays with the fact that often kids are far more perceptive than we give them credit for.Brown, Tracy (April 26, 2018). " 'My Favorite Thing Is Monsters' and 'Monstress' lead 2018 Eisner Awards nominations". Los Angeles Times . Retrieved March 2, 2019. Dueben, Alex (April 25, 2017). "My Favorite Thing is Monsters Author Talks 2017's Buzziest Graphic Novel". Comic Book Resources . Retrieved January 5, 2018. As a reader of Ferris’ story, we experience several degrees of separation from the truth we are trying to understand. Ferris is drawing Karen’s experiences as a personal journal, which is informed by the perspective of a child. Eventually, Karen hears Anka’s tapes, listening to her neighbor speak about her own traumatic life, which the readers experience through illustrations, creating yet another layer of separation. These are experiences given second, third, or even fourth hand, leaving it up to the reader to parse through both metaphors and mistakes for a stronger grasp on reality. And yet, monster or not, Karen Reyes is still a child ruled by child-logic. She is full of invention, and creativity ushers in a sanguine hope. Confronted with death and alienation, Karen Reyes reasons that the only way to survive is to become a monster and the only way to become a true monster — as opposed to the imagined version that she already embodies — is to sacrifice one’s human life. Her logic may have a tenuous grounding, but she relies on it as the serum of life, treating monstrosity as her saving grace. But on another level, Karen Reyes’ quest for immortality is purely unselfish, a form of sacrifice engendered by her mother’s struggle with cancer. Karen Reyes wants a monster to bite her, thereby turning her into a monster, so that she can bite and transform her family into monsters as well. In this way, she seeks to forgo her own humanity to save her mother. Emil Ferris’ story is thus one in which hope only comes in the form of imagining oneself as a monster, and optimism can only be approached through magic. And yet, ‘My Favorite Thing Is Monsters’ can hardly be described as a magical story. Although there are non-realistic elements and moments, such as Karen Reyes entering a painting at the Art Institute in search of a demon, everything about this novel is purged in the brutality and pain of honesty. From this perspective, the existence of monsters is a coping mechanism, a way for a child to understand the world that is otherwise incomprehensible. The detailed texture and realness of Emil Ferris’ Chicago provide the detached correlative of the tragic dimensions of Karen Reyes life.

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urn:oclc:record:1392377991 Foldoutcount 0 Identifier myfavoritethingi0000ferr Identifier-ark ark:/13960/s2hxh1f4xzb Invoice 1652 Isbn 9781606999592 Laura F On Work and Class in “The Haunting of Bly Manor” " This was an excellent article. So much going on here that most would miss and helped me see the show…" Como del apartado narrativo, donde una sucesión de historias sucede dentro de historias. A modo de diario, bajo el punto de vista de la protagonista, vemos como su historia y la de su vecina asesinada parecen ir encadenando a la vez que se detiene y deambula por diferentes momentos de su vida. Es verdad, Lo que más me gusta son los monstruos carece absolutamente de ritmo, pero encuentra su belleza en un deambular libre e hipnótico de reflexiones y momentos de una niña que está a punto de ser adulta. More than anything else, My Favorite Thing Is Monsters is about slum life in the late '60s and rather than be liberated by imagination, is choking on social blight. Karen goes from fatherless to friendless and is far better off than the broken bodies she meets. In addition to a murdered neighbor, hunger, suicide, incarceration, cancer and the assassination of Martin Luther King are also dealt with. As a read, this is a feel-bad. What I disliked even more than the somber content choices was how grubby and grotesque most of the artwork was. The film monsters don't thrive as a departure from Karen's environment because her neighbors are rendered just as ghoulishly.a b c Tumey, Paul (October 28, 2016). "My Favorite Thing Is Monsters". The Comics Journal . Retrieved January 5, 2018.